| CD1 The play’s the thing |
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| PROLOGUES AND INDUCTIONS |
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| 1. |
La Montagnura
Gasparo Zanetti arr. Lyons RJ |
RJ |
[3.45] |
| 2. |
“Speak gentlemen, what shall we do today?”
Various texts 1599-1626 |
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[1.49] |
| 3. |
Fanfare
Arr. Lyons after Cesare Bendinelli |
RII |
[0.45] |
| ACT ONE |
| 4. |
Hackney
Clement Woodcock |
TN |
[2.00] |
| 5. |
“If music be the food of love, play on”
Orsino in Twelfth Night I.1 |
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& The funerals
Anthony Holborne |
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& “Enough, no more”
Orsino in Twelfth Night I.1 |
TN |
[4.35] |
| 6. |
Chromatic Galliard
Thomas Simpson |
TN |
[1.36] |
| 7. |
“Is she that Marchants wife?”
West 1608 |
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[0.28] |
| 8. |
King Richard’s Flourish
Arr. Lyons after Cesare Bendinelli |
RII |
[0.32] |
| 9. |
“When he doth hold conference upon the stage”
Cocke 1615 |
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[0.17] |
| ACT TWO |
| 10. |
“England, bound in with the triumphant seas”**
John of Gaunt in Richard II, II.1
& Robin is to the Greenwood Gone. Anon arr. Lyons |
RII |
[1.43] |
| 11. |
Galliard 12
Holborne
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RII |
[2.11] |
| 12. |
Torch Pavan (Passe et Medio/La Venissienne)
Susato / Gervaise c.1550 arr. Lyons |
RJ |
[2.18] |
| 13. |
“But soft! What light”
Romeo in Romeo and Juliet, II.2 |
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& Romeo in Love (Lull me beyond thee)
Playford 1651 arr. Lyons |
RJ |
[3.30] |
| 14. |
Piva
Joan Ambrosio Dalza c. 1508 arr. Lyons |
RJ |
[2.11] |
| 15. |
“Sit in a full Theater, and you will thinke”
Anon, poss. Webster 1615 |
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[0.39] |
| 16. |
“When let but Falstaffe come”
Digges 1623 |
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[0.16] |
| 17. |
“Give me some music”
Orsino in Twelfth Night II.4
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& My Earl of Essex’s Galliard
Dowland |
TN |
[3.40]
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| ACT THREE |
| 18. |
New-yeeres gift
Holborne |
TN |
[1.14] |
| 19. |
Don Pedro’s Mask (Paduana del re)
Anon Italy 16c |
MAdo |
[1.21] |
| 20. |
Hero’s Music (Sonata Duodecima s. La Bergamasca)
Salamone Rossi 1642 |
MAdo |
[2.05 |
| 21. |
“A Play is like a sinke in a Towne”
Crosse 1603 |
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[0.31] |
| 22. |
Fortune my Foe
Anon arr. Lyons |
RII |
[1.17] |
| 23. |
“For within the hollow crown”**
King Richard in Richard II, III.2 |
RII |
[1.06 |
| 24. |
Patiencia
Holborne |
RII |
[2.21] |
| 25. |
Drums, flourish, colours
Arr. Lyons after Cesare Bendinelli |
RII |
[0.26] |
| 26. |
“We are amazed”**
King Richard in Richard II, III.2 |
RII |
[1.34] |
| 27. |
M uy Linda
Holborne |
RII |
[1.17] |
| ACT FOUR |
| 28. |
“The quick eares of”
Jonson 1609 |
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[0.14] |
| 29. |
Hey, Robin
William Cornish
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TN |
[1.21] |
| 30. |
Heart’s-ease
Anon arr. Takeuchi |
TN |
[3.07] |
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ENTR’ACTE |
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| 31. |
The God of Love (Gentil Madonna)
Anon Italy 16c |
MAdo |
[0.59] |
| ACT FIVE |
| 32. |
Pardon Goddess (Adoramus te Senor)
Francisco de la Torre arr. Lyons |
MAdo |
[1.30] |
| 33. |
“Oft have I seene him, leap into the Grave”
Funeral Elegy for Richard Burbage 1619 |
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[0.31] |
| 34. |
Belle qui tiens ma vie
Arr. Lyons after Thoinot Arbeau |
RII |
[0.52] |
| 35. |
“I have been studying how I may compare”**
King Richard in Richard II, V.5 |
RII |
[1.07 |
| 36. |
On the Cold Ground
Arr. Lyons after Playford |
RII |
[3.17] |
| 37. |
“That hand shall burn”**
King Richard in Richard II, V.5 |
RII |
[0.31] |
| 38. |
Mille Regretz
Tilman Susato |
RII |
[1.08] |
| 39. |
Battle Jig (Pavane de la Bataille)
Arr. Lyons after Susato |
RII |
[3.00] |
| EPILOGUE |
| 40. |
“The world’s a Theatre”
Francis Quarles, 1630 |
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[0.44] |
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Total running time: |
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[63.49] |
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** Recorded from live performances on the Globe Stage |
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| CD2 groundlings to gods |
| FOR THE YARD: |
| HOBOYS AND PENNY STINKARDS - MUSIC FOR THE PEOPLE |
| 1. |
Vecchie Letrose
Adrian Willaert Venice 1545 |
MAdo |
[1.33] |
| 2. |
Lavolto
arr. McGowan after Morley |
TN |
[2.31] |
| 3. |
Sharpe Pavan
Ferrabosco II |
TN |
[2.54] |
| 4. |
Bobbing Joan
Playford |
RII |
[1.13] |
| 5. |
Almay ne
Holborne |
TN |
[1.02]
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| 6. |
Paules Steeple
Anon
|
TN |
[2.09] |
| 7. |
Bonny Sweet Robin
McGowan |
EdII |
[2.08] |
| 8. |
Ballo Francese & Schiarazula Marazula
Giorgio Mainerio 1578 arr. Lyons |
MAdo |
[2.12] |
| ON THE EARTHLY STAGE: |
| EUROPEAN VISITORS OF INFLUENCE |
| 9. |
Ungerische und auch Bauern Danntz /
Ein feines Täntzlein
arr. McGowan after Augsburg / Linz
Organ tablature |
MFM |
[2.08] |
| 10. |
A Pollish Vilanell
Tobias Hume |
MFM |
[1.58] |
| 11. |
Fandango
after Santiago de Murcia |
EdII |
[1.12] |
| 12. |
Bransle de la Torche
Michael Praetorius 1612 |
R&J |
[1.29] |
| 13. |
Ladie lie neer mee /Bobbing Joe / Stingo
after Weymyss Lute Book /
Playford / Playford |
MFM |
[2.35] |
| 14. |
Chorea Polonica no. 4 /
Alia Hungarica Chorea no. 32
arr. McGowan after Vietoris Codex |
MFM |
[3.23] |
| 15. |
The Cushion Dance
arr. McGowan after Playford |
MFM |
[2.45] |
| 16. |
Mariana’s Song /
Take, o take those lips away
arr. van Kampen / McGowan after Vietoris Codex |
MFM |
[2.45] |
| 17. |
Jota-Tarantella
after Santiago de Murcia |
EdII |
[1.50] |
| 18. |
Tant que vivray
after Claudin de Sermisy |
EdII |
[2.14] |
| THE PAINTED HEAVENS: |
| ROYAL HOUSEHOLDS |
| 19. |
Lachrimae Pavin
arr. Morley after Dowland |
TN |
[4.25] |
| 20. |
The Batchelars delight
Richard Allison |
TN |
[3.40] |
| 21. |
Loves Farewell
Tobias Hume |
MFM |
[1.56] |
| 22. |
My Lord of Oxenfords Maske
arr. Morley after Byrd |
TN |
[2.55] |
| 23. |
Vilian de Spagna
Hieronymus Kapsberger c. 1640 |
MAdo |
[3.03] |
| 24. |
Lavolto
Morley |
TN |
[2.04] |
| 25. |
Galliard 24
Holborne |
RII |
[1.39] |
| 26. |
P av an Dolor osa
Peter Philips |
RII |
[3.24] |
| 27. |
Galliard Dolorosa
Philips |
RII |
[2.00] |
| 28. |
El tu tu
Anon 16c arr. Lyons |
R&J |
[1.34] |
| BEYOND THE SPHERE: |
| BATTLES AND THE DEATH OF KINGS |
| 29. |
Mount on horseback /
The Scot’s March
after Rogers’s Virginals Book |
EdII |
[1.29] |
| 30. |
Lachrymae Pavaen
Johann Schop after Dowland
|
TN |
[3.55] |
| 31. |
Mount on horseback /
Prince Rupert’s March
after Rogers’s Virginals Book |
EdII |
[1.28] |
| 32. |
Heaven and Earth
Anon |
TN |
[2.11] |
| 33. |
“St. George for England”
& The Battle of Boroughbridge
King Edward in Edward II, III.3
arr. McGowan after Byrd |
EdII |
[1.36] |
| 34. |
In the midst of life we are in death
after Merbecke |
EdII |
[1.17] |
| 35. |
“So, bring us to our palace”
& Final Jig & Playout**
The Duke in Measure for Measure, V.1 |
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Total running time: |
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[78.41] |
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** Recorded from live performances on the Globe Stage |
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