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Modus Phantasticus
Viol Music from 18th Century Germany
charivari agréable
Susanne Heinrich - Viols
Kah-Ming Ng - Organ & Harpsichord
Lynda Sayce - Theorbo, Lute & Baroque Guitar
with
Reiko Ichise - Bass Viol
Asako Morikawa - Bass Viol
Susanna Pell - Viols
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"The playing in all of the Bach transcriptions
(there are four on the disc) is stunning - smooth, calm, and
sonorous, yet with a fall awareness of individual line and harmonic
structure.
Caroline Ritchie, The Consort |
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"It's amazing ... This new disc is a real winner. I absolutely loved
it. It's 75 minutes of glorious music, and when it finished, I listened
to the whole thing all over again. I can't recommend it anymore
than that"
Mark Shepherd -
3MBS FM, Melbourne |
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... the intuitions of Charivari Agréable are always captivating for
the listener .... a perfectly accomplished recording ... one in which the images that fire our imagination are
underpinned everywhere by unflagging expertise.
Roger Tellart, Goldberg Magazine
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"...
Erbarm dich mein is particularly beautiful. Charivari Agréable's playing
is of the highest order"
Daily Telegraph
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"This is an exceptionally beautiful compilation,
with striking atmosphere and perfectly balanced performance. Some pieces
are literally difficult to tear oneself away from, a delicious Paysanen
Rondeau in particular. I can't recommend it highly enough."
Musyca 21 (Polish Journal)
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Signum Records is delighted to release charivari agréable's ninth CD on
the Signum label.
Modus Phantasticus presents a unique collection of German viol
music, transcribed and arranged in charivari’s individual and historically-informed
manner.
Germany was never blessed with the same solo viol
traditions that flourished in England and France. The viol took a back
seat in favour of the keyboard and the violin which provided a vehicle for
the elaborate technical display found in "stylus phantasticus" music.
However the viol came into to its own within a consort of instruments,
gaining a reputation for providing special effects alluding to mortality
and the supernatural. The ability of the viol to enrich the texture and
enhance sonority of vocal and sacred music meant that it could often
dominate the scoring in music of this type.
The profile of the viol in Germany was raised considerably with the
arrival, during the late 16th century and the first half of the 17th
century, of elite violists from England. This disc follows the development of German viol repertoire and its
English influences. The pieces are chosen for their beauty, their
uniqueness or their suitability for charivari agréable’s speciality –
wonderfully inventive arrangements and transcriptions.
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| 1 |
Johann Sebastian Bach (1685-1750): Erbarm dich mein, O Herre Gott, BWV
721,
arr. S. Heinrich |
[4:10] |
| 2 |
J. S. Bach: In Dir ist Freude, BWV 615, arr. Kah Ming Ng |
[2:16] |
| 3 |
Heinrich Schütz (1585-1672): Feritevi, ferite, SWV 9, arr.
Kah Ming Ng
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[2:22] |
| David Funck (1648-?1699) Suite in D major from Stricturae Viola di
Gambicae (1677): |
| 4 |
- Adagio |
[1:25] |
| 5 |
- [Allegro] |
[0:58] |
| 6 |
- Sarabande & Double |
[3:58] |
| 7 |
- Gigue |
[1:07] |
| 8 |
Davidt Adam Baudringer (fl. late 17th c.): Sonata in Bb major for viola
da gamba & b.c. |
[6:53] |
| 9 |
Johann Pachelbel (1653-1706): Ciaccona in F minor
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[6:04] |
| Georg Philipp Telemann (1681-1767): Concerto for four violins
without b.c., TWV 40:204: |
| 10 |
- Grave |
[1:19] |
| 11 |
- Allegro |
[2:04] |
| 12 |
- Adagio |
[1:12] |
| 13 |
- Spirituoso |
[2:36] |
| 14 |
Ernst Christian Hesse (1676-1762): Paÿsan en Rondeau |
[4:17] |
| 15 |
Augusto Kühnel (1645-c. 1700): Sonata à 2 in E minor
from Sonate ô Partite ad una o due Viole da Gamba con il Basso Continuo
(1698):
Sonata-Aria-Allegro-Aria-Adagio |
[8:41] |
| 16 |
Georg Böhm (1661-1733): Chaconne in G major |
[3:11] |
| 17 |
J. S. Bach: Das alte Jahr vergangen ist, BWV 614, arr.
S. Heinrich |
[2:20] |
| 18 |
Johannes Schenck (1660-c. 1720): Sonata IV in A minor from Tyd en
konst-oeffeningen, op. 2, arrangement in GB-Ob MS Mus. Sch. D. 249;
Adagio-[Canzona allegro]-Adagio-Grave-[Aria]-Presto-[Presto] |
[9:27] |
| 19 |
Johann Joseph Fux (1660-1741): Ciaconna in G major, arr.
Kah Ming Ng |
[6:12] |
| 20 |
J. S. Bach: Liebster Jesu, wir sind hier, BWV 634/706, arr.
S. Heinrich |
[3:17] |
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Total running time: |
[74:00] |
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