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Ian Humphries Violin
Darragh Morgan Violin
Nic Pendlebury Viola
Deirdre Cooper Violoncello |
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Since its formation in 1988, the Smith Quartet has been closely associated
with the performance of Steve Reich’s music. None more so than with his
haunting work Different Trains which they have performed all over the
world, not only on the concert platform but with the renowned Siobhan
Davies Dance Company, and as part of the BBC’s specially commissioned
Holocaust – A Musical Memorial Film from Auschwitz, which marked the 60th
anniversary of the liberation of the concentration camp.
As well as the
works of Steve Reich, the quartet is dedicated to the development
and performance of new music and has built a repertoire by some of the
world’s most exciting composers, establishing an international reputation
for their dynamic style and original approach to contemporary music. Kevin
Volans, Michael Nyman, Graham Fitkin, Django Bates, Stephen Montague, Karl
Jenkins, Sally Beamish, Michael Daugherty, Howard Skempton and Michael
Finnissy are amongst many whom have written for them. To date they have
premiered over 100 new works.
It is the aim of the quartet to bring contemporary music to as wide an
audience as possible. They have expanded the potential of the “string
quartet” to its fullest, not only by using amplification and live
electronics in many of their concerts, but also in their work with dance
companies such as Shobana Jeyasingh, Siobhan Davies and Ultima Vez and
artists of other musical genres. Saxophonists John Harle and Gerard
McChrystal, guitarists David Tanenbaum and Tim Brady, jazz musicians
Andy Sheppard and John Taylor have all worked with the group. Of
particular note has been the quartet’s relationship with the jazz artist
Django Bates, which has produced the effervescent quartet, Pond Life
(1993), a film for Britain’s Channel 4 TV and the critically acclaimed
album you live and learn… apparently with Bates’ own group Human Chain.
The quartet has also featured in the Barbican’s American Pioneers series
alongside Britpop superheroes Pulp in a sell out performance of Terry
Riley’s In C, with the composer at the piano.
The quartet’s long standing partnership with their sound designers
SoundIntermedia has also enabled them to take performances to unusual
spaces and venues including The Music Summit Metropolis Cologne where they
played Different Trains suspended above the tracks of Cologne’s Haupt Bahn
Hoff.
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www.smithquartet.com
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